Dimensions dance Theater Programs

Program 3

DOWN THE CONGO LINE​

The concept of DOWN THE CONGO LINE came about when Artistic Director Deborah Vaughan traveled to the Congo. The goal of this collaboration was to recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas by engaging traditional artists from the Diaspora to create contemporary work that is both rooted in their own community’s traditions and also reflects their Congolese origins. DOWN THE CONGO LINE features four works by choreographers Isaura Oliveira (Brazil), Latanya D. Tigner (New Orleans), Jose “Cheo” Rojas (Cuba) and Herve (Kayos) Makaya ( Brazzaville, Congo. The work is accompanied by a spirited group of percussionists and singers.

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Program 4

Catalyst

A movement-based, evening-length musical conversation crafted from a blend of traditional Moroccan melodies and jazz themes. CATALYST will acknowledge and celebrate the creative confluence of dance and music in the region of Morocco, and North Africa, where African, Spanish, and Arab cultures have co-existed for centuries. Ms. Vaughan will combine traditional African and contemporary dance forms to respond to the music’s rhythms, energy, and emotion. The underlying idea of Tolerance and our ability to accept difference; CATALYST honors the beauty that results when we celebrate our differences and let go of cultural barriers.

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Program 1

DOWN THE CONGO LINE​

The concept of DOWN THE CONGO LINE came about when Artistic Director Deborah Vaughan traveled to the Congo. The goal of this collaboration was to recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas by engaging traditional artists from the Diaspora to create contemporary work that is both rooted in their own community’s traditions and also reflects their Congolese origins. DOWN THE CONGO LINE features four works by choreographers Isaura Oliveira (Brazil), Latanya D. Tigner (New Orleans), Jose “Cheo” Rojas (Cuba) and Herve (Kayos) Makaya ( Brazzaville, Congo. The work is accompanied by a spirited group of percussionists and singers.

Learn more about Down the Congo Line program

Drop us a line!
Contact

Program 2

Catalyst

A movement-based, evening-length musical conversation crafted from a blend of traditional Moroccan melodies and jazz themes. CATALYST will acknowledge and celebrate the creative confluence of dance and music in the region of Morocco, and North Africa, where African, Spanish, and Arab cultures have co-existed for centuries. Ms. Vaughan will combine traditional African and contemporary dance forms to respond to the music’s rhythms, energy, and emotion. The underlying idea of Tolerance and our ability to accept difference; CATALYST honors the beauty that results when we celebrate our differences and let go of cultural barriers.

Learn more about Catalyst program

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Program 5

DOWN THE CONGO LINE​

The concept of DOWN THE CONGO LINE came about when Artistic Director Deborah Vaughan traveled to the Congo. The goal of this collaboration was to recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas by engaging traditional artists from the Diaspora to create contemporary work that is both rooted in their own community’s traditions and also reflects their Congolese origins. DOWN THE CONGO LINE features four works by choreographers Isaura Oliveira (Brazil), Latanya D. Tigner (New Orleans), Jose “Cheo” Rojas (Cuba) and Herve (Kayos) Makaya ( Brazzaville, Congo. The work is accompanied by a spirited group of percussionists and singers.

Learn more about Down the Congo Line program

Drop us a line!
Contact

Program 6

Catalyst

A movement-based, evening-length musical conversation crafted from a blend of traditional Moroccan melodies and jazz themes. CATALYST will acknowledge and celebrate the creative confluence of dance and music in the region of Morocco, and North Africa, where African, Spanish, and Arab cultures have co-existed for centuries. Ms. Vaughan will combine traditional African and contemporary dance forms to respond to the music’s rhythms, energy, and emotion. The underlying idea of Tolerance and our ability to accept difference; CATALYST honors the beauty that results when we celebrate our differences and let go of cultural barriers.

Learn more about Catalyst program

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Contact

Program 7

DOWN THE CONGO LINE​

The concept of DOWN THE CONGO LINE came about when Artistic Director Deborah Vaughan traveled to the Congo. The goal of this collaboration was to recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas by engaging traditional artists from the Diaspora to create contemporary work that is both rooted in their own community’s traditions and also reflects their Congolese origins. DOWN THE CONGO LINE features four works by choreographers Isaura Oliveira (Brazil), Latanya D. Tigner (New Orleans), Jose “Cheo” Rojas (Cuba) and Herve (Kayos) Makaya ( Brazzaville, Congo. The work is accompanied by a spirited group of percussionists and singers.

Learn more about Down the Congo Line program

Drop us a line!
Contact

Program 8

Catalyst

A movement-based, evening-length musical conversation crafted from a blend of traditional Moroccan melodies and jazz themes. CATALYST will acknowledge and celebrate the creative confluence of dance and music in the region of Morocco, and North Africa, where African, Spanish, and Arab cultures have co-existed for centuries. Ms. Vaughan will combine traditional African and contemporary dance forms to respond to the music’s rhythms, energy, and emotion. The underlying idea of Tolerance and our ability to accept difference; CATALYST honors the beauty that results when we celebrate our differences and let go of cultural barriers.

Learn more about Catalyst program

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Contact

Program 9

DOWN THE CONGO LINE​

The concept of DOWN THE CONGO LINE came about when Artistic Director Deborah Vaughan traveled to the Congo. The goal of this collaboration was to recognize the extraordinary contribution that Congolese culture has made to the music and dance of the Americas by engaging traditional artists from the Diaspora to create contemporary work that is both rooted in their own community’s traditions and also reflects their Congolese origins. DOWN THE CONGO LINE features four works by choreographers Isaura Oliveira (Brazil), Latanya D. Tigner (New Orleans), Jose “Cheo” Rojas (Cuba) and Herve (Kayos) Makaya ( Brazzaville, Congo. The work is accompanied by a spirited group of percussionists and singers.

Learn more about Down the Congo Line program

Drop us a line!
Contact

Program 10

Catalyst

A movement-based, evening-length musical conversation crafted from a blend of traditional Moroccan melodies and jazz themes. CATALYST will acknowledge and celebrate the creative confluence of dance and music in the region of Morocco, and North Africa, where African, Spanish, and Arab cultures have co-existed for centuries. Ms. Vaughan will combine traditional African and contemporary dance forms to respond to the music’s rhythms, energy, and emotion. The underlying idea of Tolerance and our ability to accept difference; CATALYST honors the beauty that results when we celebrate our differences and let go of cultural barriers.

Learn more about Catalyst program

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Youth Programs

Program 1

Rites of Passage (ROP)

It is a comprehensive educational outreach program serving primarily youth ages 8-18 years throughout the East Bay. The program offers free classes in Oakland Public schools and year-round low-cost courses after school, on Saturdays, and during the summer at the Malonga Casquelourd Center for the Arts. Students learn traditional styles of movement and music such as West African, Haitian, Cuban, and Brazilian, as well as more contemporary forms such as Modern/Jazz, Hip Hop, Tap, and Ballet. Sessions will include Spoken Word and Percussion. Through this programming, young people can learn from master artists rooted in traditional art forms that are strongly interwoven within African American culture. Most importantly, it also helps students to work collectively and develop a deeper sense of their self-esteem. ROP sessions begin in October (fall), January (spring), and June (summer). Each session culminates with a performance, the largest being the annual spring play in May written and directed by ROP students and "It Takes Village," a community celebration of all cultures.

Learn more about Rites of Passage (ROP) program

There are limited scholarships available. Please get in touch with the office at dimensionsdance@prodigy.net or (510) 465-3363 for further information regarding classes and registration.
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Program 2

Dimensions Extensions Performance Ensemble (DEPE)

s a group of students ranging in age from 12-19 years, has developed an outstanding reputation for presenting pre-professional work that is considered unique and quite remarkable in terms of what is expected of youth groups. DEPE has the honor of continuing Dimensions Dance Theater’s legacy of performance by providing performances of the African-American experience. Members of Dimensions...Extensions are trained in jazz, modern, hip-hop, Haitian, ballet, and traditional African movement. Members are arts ambassadors who serve the community through performances at local festivals, schools, church events, celebrations, fundraisers, etc. The group has performed and studied in Orlando, Los Angeles, Congolese Dance and Drum Camp in Nevada City, Washington D.C., and New York. Some members of the group traveled to Guinea, West Africa, in December 2006 to participate in a cultural exchange with the youth of Conakry, Boke, and Sangaredi; they also took a class with and performed for Guinea’s national company Les Ballet Africains.

Learn more about Dimensions Extensions Performance Ensemble (DEPE) program

Participation in the group is by audition only. Contact the office at (510) 465-3363 for audition dates and times.
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Program 3

Intern and Apprenticeship

The Internships & Apprenticeships component of our Rites of Passage (ROP) program is a multi-faceted, community-based arts education component program for Oakland youth ages 15-20. The I&A program was launched in 2003 with funding from Oakland Fund for Children and Youth, California Arts Council’s Youth Education in Arts program. The program is geared toward highly motivated advanced students seeking arts careers. These students work alongside DDT’s senior/professional instructors, teaching and mentoring younger students, demonstrating technique, rehearsing repertory, problem-solving in the studio and office, and performing in the community. ROP AND DEPE students graduate from this program.

Learn more about Intern and Apprenticeship program

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YOLANDE STERLING

A lover of all forms of dance, Yolande Sterling has been an avid student of Haitian folkloric dance since 2008. She has studied and danced with veteran dancers and educators such as Blanche Brown, Michelle Martin and Portsha Jefferson. Ms. Sterling has traveled to Haiti on several occasions to experience the culture first hand by traveling to various parts of the country as well as learning from dance and song instructors at the Ecole Nationale des Arts (ENARTS).

Ms. Sterling joined Rara Tou Limen (RTL) in January 2014 and has been fortunate enough to travel and perform with the company both in the Bay Area and internationally in Haiti and Montreal Canada. She also participated in the 2017 cultural exchange tour to Havana Cuba where RTL collaborated with a renowned Cuban Folkloric company to explore the connection between Haitian and Cuban-Haitian dance. In 2019, Ms. Sterling had the opportunity to visit Benin West Africa with RTL and witness first hand the connection between the Beninese and Haitian cultures through dance, song and Vodou.

In keeping with her love of folkloric dance, Ms. Sterling has performed with the Afro-Cuban folkloric company Grupo Nago Experimental under the guidance of Artistic Director Temistocles Fuentes Betancourt. She has also studied with and danced in San Francisco Carnaval with Afro-Brazilian dancer/choreography Tania Santiago, Artistic Director of Aguas da Bahia Dance Company.
 Yolande is passionate about Haitian dance as well as the rhythms and rituals that embody the culture.

MICHELLE PEACOCK

Michelle Peacock is originally from Los Angeles, CA and enthusiastically began training 22 years ago in various dance forms. High School is where Michelle was accepted into a prestigious performing arts school, The Los Angeles County High School for the Arts where she studied with various well studied teachers and continued to perfect her skills. After graduating high school she went on to further her training in dance while getting her B.A in Broadcast communications at San Francisco State University.

After graduating college and entering into the work force, dance, her one true love and passion was calling out to her, so she sought out classes until she stumbled upon Portsha’s Haitian dance class on a bright Sunday and thus began her love affair with Haitian dance.

Michelle has been a member of Rara Tou Limen since 2011, where she has engrossed herself into Haitian folklore, with a willingness to continue to train and study as much as she can about Haitian culture through myriads of classes, workshops, performances and traveling to different countries with the company, showcasing the vibrant spirit of the Haitian culture.
“Dance is a conversation between Body and Soul”.

KARIAMU ERYKA NADREAU

Born in Port-au-Prince, Haiti, and raised in Los Angeles, California, Ms. Nadreau has studied various dance styles from Africa and the diaspora, including Afro Brazilian, Afro house, Waacking, and Haitian folklore. In addition to dance, she has also studied sound design, fashion, and Earth and Environmental Sciences.
Her work has been seen on national TV, in the theater, and featured in music videos. 

HALIMA MARSHALL

Halima Marshall is a recent recipient of the 2020 Alliance of California Traditional Arts (ACTA) Apprenticeship with mentor Portsha Jefferson. She was first introduced to Haitian dance at St. Mary’s College in 1995 by Blanche Brown, Haitian dance instructor and director of then Group Petit La Croix. Years later, her desire to learn more technique, rhythms, and the intricacies of their connection led her to Dance Mission in San Francisco where she took classes with instructor Michelle Martin.

In 2007, Halima first performed with Portsha Jefferson at the inception of Rara Tou Limen (RTL) prior to joining the dance company. Since that time she has performed the colorful and emotion-filled storytelling of RTL throughout the Bay Area at San Francisco Carnaval, San Francisco Ethnic Dance Festival, Black Choreographers Festival, multiple performances at the Malonga Casquelourd Center for the Arts, the University of Oklahoma for the Neustadt Festival honoring a Haitian literary great, Edwidge Danticat, and internationally with Mapou Ginen Haitian Folkloric Dance Troupe in Montreal, Canada. Halima also celebrates the opportunity to teach dance classes in the Bay Area because of these diverse experiences over the years, her skills as an educator, and, most importantly, because of her love of Haitian dance and culture.

A 2014 cultural exchange trip to Ayiti was the pinnacle of her experiences, as past knowledge was given life through witnessing Vodou on the soil of Ayiti. She brings reverence for the spirit of Vodou and acknowledgement of the fullness of Ayiti’s culture to her own dance and teaching experience.

ABEJE MAOLUD

Abeje Maolud is one of three of Rara Tou Limen’s newest company members, joining the Haitian Folkloric Dance Company in 2018.  She hails from the San Francisco Bay Area, where she began her lifelong dance training with notable dance teachers such as Mama Naomi Diouf (of Diamano Coura West African Dance Company) and the late Ms. Alicia Pierce (of Wajumbe Dance Collective).

Since such early exposure to dance, Abeje has embarked on a lifelong journey of studying various forms, locally and abroad, ranging from Tango to Tahitian dance.  Her experience includes modern dance techniques, with an emphasis on Dunham Technique, as well as studying and working with The San Francisco Ballet School, Alvin Ailey American Dance Theater’s summer youth program, Ailey Camp, Columbus, Ohio’s Ballet Met, Headlong Dance Theater out of Philadelphia, and such local dance companies as The Zari Le’on Dance Theater and Eloi Movement. 
Abeje holds a BA in Dance from Denison University. Her experience extends beyond the velvet curtain to costume design, set design, and stage management. 

VALENCIA JAMES

Valencia James is a Barbadian freelance performer, maker and researcher interested in the intersection between dance, theatre, technology and activism.

She believes in the power of the arts to inspire change. In 2013, Valencia co-founded the AI_am project, which explores the application of artificial intelligence in dance. The project has been presented at several international forums, such as TEDxGoteborg in 2015, and premiered its first evening-length work in Budapest and Gothenburg in 2017. Valencia also creates solo works that explore stereotypes and colonial narratives. She has performed extensively in Hungary, Romania, Poland, France, Israel, Sweden, Argentina, and Canada.  After a decade in Hungary, Valencia is now based in the San Francisco Bay Area.

ASATU MUSUNAMA HALL

Asatu Hall is a seasoned performer, choreographer and founding member of Emesè: Messengers of the African Diaspora, a collective of artists founded in 1998 to promote and present the rich cultural traditions of the African Diaspora. Her background in dance incorporates over 25 years of various genres, including Ballet, West African, Congolese, Haitian, and Brazilian.

She has had the honor of studying and performing with a number of master artists in the Bay Area and abroad, in particular, her mentors Mestre Carlos Aceituno founder of Fogo Na Roupa Grupo Carnavalesco Cultural and Regina Califa,  Jorge Alabe, Blanche Brown, Titos Sompa, Malonga Casquelourd, Jose Francisco Barroso, Juan De Dios Ramos, Linda Faye Johnson, Isaura Oliveira, and others. She feels blessed and very honored to have the opportunity to deepen her study of Haitian dance, music, and culture with the Rara Tou Limen family. Asatu currently teaches Afro Cuban and Afro Brazilian dance in Oakland and Alameda.

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