About Us

History & community

Who We are

Is a 45-year-old arts organization whose work is centered on cultural preservation and service through art. Our name “Fua Dia Congo” means Congolese heritage, and since 1977, we have been sharing traditional music, dance, and culture from Central Africa, specifically the Kongo Kingdom. It is our honor to forward the work of our founder, Ta Malonga Casquelourd, to share a rich and robust cultural legacy and to create space for communal healing through Kongo traditions.

Fua Dia Congo

Our Mission

Fua Dia Congo Performing Arts is committed to creating a platform that celebrates and uplifts the African diaspora through expressive and contemporary art forms. We strive to create an environment of creativity, collaboration, and collective liberation while providing future generations with a safe space of healing, refuge, and immortality. Art has the potential to unlock greater knowledge and understanding of our collective story, uniting us in pursuit of a more equitable world. Art can be a powerful tool to achieve justice and equality. It can help us create paths that can lead to meaningful change.

Founder

Ta Malonga Casquelourd

During the 70s, Malonga brought his distinctive Congolese dance style to Oakland’s Everybody’s Creative Arts Center, introducing a new way of movement to the area. The Malonga Casquelourd Center for the Arts in Oakland is a tribute to the man and continues offering classes. People from all walks of life attend these classes, taught by Malonga’s kin and other company members. Malonga Casquelourd created a legacy by training two generations of dancers he prepared through his company, youth programs, and community classes.

Malonga Casquelourd’s children- Muisi-kongo, Kiazi, Lungusu and Boueta all play a key role in Fua’s classes, workshops, and performances. According to Muisi-kongo, she, along with the other members of the company, contributed significantly to the success of the organization “understand the weight and gravity of what it means to recognize the value of preserving the tradition of Congolese culture.”

Muisi-kongo, the eldest daughter, has taken on the role of Artistic Director and is now leading the company. IGrowing up with two parents dedicated to protecting their culture, Muisi-Kongo witnessed them perform a rich legacy of cultural preservation. Dr. Faye McNair-Knox, her mother, was among the original members of Fua and was a well-known linguist and musician. Muisi recalls the early days of watching rehearsals and performances and many hours spent watching old company performances on videotapes. Muisi-kongo has always had a fondness for the videotapes from the company, referring to them as her favorite television shows.

During her childhood, she was also part of a youth company where she showcased her creative talents. She has been a premier dancer with the main company for over 10+ years, garnering several awards. Recently, she has made her mark as an emerging choreographer by collaborating with Congolese master artist Chryrsogone Diangoya. SMuisi-kongo is an instructor in the company and teaches a Congolese dance class at Stanford University. As artistic director, she collaborates with a talented team of professionals mentored by her father.

Muisi-kongo’s two elder siblings, Lungusu and Kiazi, are very important to their music as they direct the melodies, choreograph the dances, and put on amazing performances. Even their younger brother Boueta is involved in the group since he is an eleven-year-old drummer. Kiazi balances her career and studies by attending graduate school out-of-state and returning home to supply creative instructions for major performances. Just like his dad, Kiazi is a talented musician and dancer. He works with his sister on the creative direction of their shows and helps with the choreography & rehearsal process.

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Members

The management team of Fua Dia Congo comprises experienced artists and elders who were fortunate enough to receive training and work side by side with Malonga for more than two and a half decades. These experts help the company choose and manage the correct artistic direction. Regine N’dounda, Sandor Diabankouezi, Regina Calloway, Erica Simpson, and Janeen Johnson are talented professionals. Matingou Raphael, a Congolese-born master artist, is the company’s Musical Director. Matingou, an ex-bandleader with worldwide experience, collaborates with Muisi-kongo and the management crew to ensure that the ideas presented align with the cultural beliefs of Congo’s region.

President
Cherese Brauer
Vice President
Aimee Fields
Secretary
Kristen Graser, LM CPM
Treasurer
Veronica La Foucade
Dr. Elizabeth Grady, MD
Dr. Betty Robinson, PhD
Dr. Dawn Ferreiga, PhD
Jah Yee Woo

Advisory Board

Ms. Laurine Johnson

Services

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Sign up for Dance classes

Looking for a fun and unique way to stay active? Try Fua Dia Congo Dance Class! Fua Dia Congo offers a variety of classes for all levels of experience so that you can find the perfect class for you. And with classes focusing on everything from traditional Congolese dance and culture. So what are you waiting for? Sign up today!

YOLANDE STERLING

A lover of all forms of dance, Yolande Sterling has been an avid student of Haitian folkloric dance since 2008. She has studied and danced with veteran dancers and educators such as Blanche Brown, Michelle Martin and Portsha Jefferson. Ms. Sterling has traveled to Haiti on several occasions to experience the culture first hand by traveling to various parts of the country as well as learning from dance and song instructors at the Ecole Nationale des Arts (ENARTS).

Ms. Sterling joined Rara Tou Limen (RTL) in January 2014 and has been fortunate enough to travel and perform with the company both in the Bay Area and internationally in Haiti and Montreal Canada. She also participated in the 2017 cultural exchange tour to Havana Cuba where RTL collaborated with a renowned Cuban Folkloric company to explore the connection between Haitian and Cuban-Haitian dance. In 2019, Ms. Sterling had the opportunity to visit Benin West Africa with RTL and witness first hand the connection between the Beninese and Haitian cultures through dance, song and Vodou.

In keeping with her love of folkloric dance, Ms. Sterling has performed with the Afro-Cuban folkloric company Grupo Nago Experimental under the guidance of Artistic Director Temistocles Fuentes Betancourt. She has also studied with and danced in San Francisco Carnaval with Afro-Brazilian dancer/choreography Tania Santiago, Artistic Director of Aguas da Bahia Dance Company.
 Yolande is passionate about Haitian dance as well as the rhythms and rituals that embody the culture.

MICHELLE PEACOCK

Michelle Peacock is originally from Los Angeles, CA and enthusiastically began training 22 years ago in various dance forms. High School is where Michelle was accepted into a prestigious performing arts school, The Los Angeles County High School for the Arts where she studied with various well studied teachers and continued to perfect her skills. After graduating high school she went on to further her training in dance while getting her B.A in Broadcast communications at San Francisco State University.

After graduating college and entering into the work force, dance, her one true love and passion was calling out to her, so she sought out classes until she stumbled upon Portsha’s Haitian dance class on a bright Sunday and thus began her love affair with Haitian dance.

Michelle has been a member of Rara Tou Limen since 2011, where she has engrossed herself into Haitian folklore, with a willingness to continue to train and study as much as she can about Haitian culture through myriads of classes, workshops, performances and traveling to different countries with the company, showcasing the vibrant spirit of the Haitian culture.
“Dance is a conversation between Body and Soul”.

KARIAMU ERYKA NADREAU

Born in Port-au-Prince, Haiti, and raised in Los Angeles, California, Ms. Nadreau has studied various dance styles from Africa and the diaspora, including Afro Brazilian, Afro house, Waacking, and Haitian folklore. In addition to dance, she has also studied sound design, fashion, and Earth and Environmental Sciences.
Her work has been seen on national TV, in the theater, and featured in music videos. 

HALIMA MARSHALL

Halima Marshall is a recent recipient of the 2020 Alliance of California Traditional Arts (ACTA) Apprenticeship with mentor Portsha Jefferson. She was first introduced to Haitian dance at St. Mary’s College in 1995 by Blanche Brown, Haitian dance instructor and director of then Group Petit La Croix. Years later, her desire to learn more technique, rhythms, and the intricacies of their connection led her to Dance Mission in San Francisco where she took classes with instructor Michelle Martin.

In 2007, Halima first performed with Portsha Jefferson at the inception of Rara Tou Limen (RTL) prior to joining the dance company. Since that time she has performed the colorful and emotion-filled storytelling of RTL throughout the Bay Area at San Francisco Carnaval, San Francisco Ethnic Dance Festival, Black Choreographers Festival, multiple performances at the Malonga Casquelourd Center for the Arts, the University of Oklahoma for the Neustadt Festival honoring a Haitian literary great, Edwidge Danticat, and internationally with Mapou Ginen Haitian Folkloric Dance Troupe in Montreal, Canada. Halima also celebrates the opportunity to teach dance classes in the Bay Area because of these diverse experiences over the years, her skills as an educator, and, most importantly, because of her love of Haitian dance and culture.

A 2014 cultural exchange trip to Ayiti was the pinnacle of her experiences, as past knowledge was given life through witnessing Vodou on the soil of Ayiti. She brings reverence for the spirit of Vodou and acknowledgement of the fullness of Ayiti’s culture to her own dance and teaching experience.

ABEJE MAOLUD

Abeje Maolud is one of three of Rara Tou Limen’s newest company members, joining the Haitian Folkloric Dance Company in 2018.  She hails from the San Francisco Bay Area, where she began her lifelong dance training with notable dance teachers such as Mama Naomi Diouf (of Diamano Coura West African Dance Company) and the late Ms. Alicia Pierce (of Wajumbe Dance Collective).

Since such early exposure to dance, Abeje has embarked on a lifelong journey of studying various forms, locally and abroad, ranging from Tango to Tahitian dance.  Her experience includes modern dance techniques, with an emphasis on Dunham Technique, as well as studying and working with The San Francisco Ballet School, Alvin Ailey American Dance Theater’s summer youth program, Ailey Camp, Columbus, Ohio’s Ballet Met, Headlong Dance Theater out of Philadelphia, and such local dance companies as The Zari Le’on Dance Theater and Eloi Movement. 
Abeje holds a BA in Dance from Denison University. Her experience extends beyond the velvet curtain to costume design, set design, and stage management. 

VALENCIA JAMES

Valencia James is a Barbadian freelance performer, maker and researcher interested in the intersection between dance, theatre, technology and activism.

She believes in the power of the arts to inspire change. In 2013, Valencia co-founded the AI_am project, which explores the application of artificial intelligence in dance. The project has been presented at several international forums, such as TEDxGoteborg in 2015, and premiered its first evening-length work in Budapest and Gothenburg in 2017. Valencia also creates solo works that explore stereotypes and colonial narratives. She has performed extensively in Hungary, Romania, Poland, France, Israel, Sweden, Argentina, and Canada.  After a decade in Hungary, Valencia is now based in the San Francisco Bay Area.

ASATU MUSUNAMA HALL

Asatu Hall is a seasoned performer, choreographer and founding member of Emesè: Messengers of the African Diaspora, a collective of artists founded in 1998 to promote and present the rich cultural traditions of the African Diaspora. Her background in dance incorporates over 25 years of various genres, including Ballet, West African, Congolese, Haitian, and Brazilian.

She has had the honor of studying and performing with a number of master artists in the Bay Area and abroad, in particular, her mentors Mestre Carlos Aceituno founder of Fogo Na Roupa Grupo Carnavalesco Cultural and Regina Califa,  Jorge Alabe, Blanche Brown, Titos Sompa, Malonga Casquelourd, Jose Francisco Barroso, Juan De Dios Ramos, Linda Faye Johnson, Isaura Oliveira, and others. She feels blessed and very honored to have the opportunity to deepen her study of Haitian dance, music, and culture with the Rara Tou Limen family. Asatu currently teaches Afro Cuban and Afro Brazilian dance in Oakland and Alameda.

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